Time For Three

Live at Kelly Strayhorn Theater, Monday, June 29, 2015 - 7:30pm
About The Artist: 

Time for Three – violinist Zachary (Zach) De Pue, violinist Nicolas (Nick) Kendall and double-bassist Ranaan Meyer – is a group that defies any traditional genre classification, happily and infectiously. With an uncommon mix of virtuosity and showmanship, the American trio performs music from Bach to Brahms and beyond, giving world-premieres by Pulitzer Prize-winners William Bolcom and Jennifer Higdon as well as playing originals and their own arrangements of everything from bluegrass and folk tunes to ingenious mash-ups of hits by the Beatles, Kanye West, Katy Perry, Justin Timberlake and more.

Time for Three, or Tf3 for short, has performed from Carnegie Hall and the famed jazz club Yoshi’s in San Francisco to European festivals, NFL games and the Indy 500. The group’s hit YouTube bullying-prevention video, “Stronger,” has inspired students across the globe, eliciting features on CNN and the Huffington Post. Since 2009, Tf3 has held a hugely successful residency with the Indianapolis Symphony Orchestra, helping to expand the orchestra’s audience with innovative outreach. The latest milestone for Tf3 was June 24, 2014, with the release of their debut on UMC, Time for Three. The new album, with tracks co-produced by Bon Iver’s Rob Moose, showcases not only the trio’s melody-rich string weave but also its uncommon flair for collaboration, with the group teaming with pop singer-songwriter Joshua Radin, jazz saxophone icon Branford Marsalis, Decca cello star Alisa Weilerstein and ukulele ace Jake Shimabukuro, among others.

Since Tf3 were fellow students at Philadelphia’s Curtis Institute of Music they have wowed media and fellow artists alike with their charismatic musicianship. National Public Radio said: “In person, the members of Time for Three come off as just three dudes in a band. But with their staggering technique and freewheeling genre-crossing, it’s hard not to be swept up in the force of their contagious energy.” The Wall Street Journal praised the trio’s rare blend of “spontaneity and precision,” while the Indianapolis Examiner raved, “Demonstrating their ability to deeply connect with their audience in a most interactive way, they electrified a full-house crowd.”

But perhaps no one has offered a more enthusiastic appraisal than the great Sir Simon Rattle, chief conductor of the Berlin Philharmonic, who said: “Simply put, they’re a knockout! Three benevolent monsters – monsters of ability and technique surely. But also conveyers of an infectious joy that I find both touching and moving. I would recommend them not only for entertainment value, but also for anyone looking to see how all types of American music can develop, when life and passion such as this are breathed into it.”